If you're like me, you will find that before shooting your clients you will feel as nervous as they are, or even more! I have found that there are certain things I can do to relax myself and my clients before, during and after our session, which also helps to create a long lasting relationship and hopefully creates a repeat booking. So, what can you do to make the photographic experience as painless as possible and create a rewarding relationship with your client?
I've noticed a trend in people photography, namely, many of us tend to move from one model to the next one far too quickly, and far too often. At times, it appears that it doesn't really matter who the next subject is or what their personality is like, as long as there is a model shoot booked in. While for some it may provide a reason to boast about their newest portfolio addition, to others it's simply a routine that can be difficult to break out of. So, why should we focus on shooting the same person more than once?
What happens when a visual artist overhears his uncles discussing how women "are better off cooking, taking care of the kitchen, and fulfilling their 'womanly duties?'" Eli Rezkallah, who's a photographer and a visual artist currently residing in Beirut, came up with the idea of creating a controversial set of photographs that reverse the traditional gender roles, that had been so strongly embedded within our society through advertisement during the twentieth century.
I was completely blown away when I came across Diane Villadsen's project “Old Friends,” a high-fashion, conceptual take on aging. To celebrate the process all of us will go through eventually, why not do it in a unique way through photography and fashion? I got in touch with Villadsen to find out more about her inspiration for the shoot.
It's one thing to be a female and feeling represented in this industry, but it's a whole different thing to be a black female, trying to acquire recognition and voice in photography. How many can you name from the top of your head? For the first time in 30 years, there is a substantial body of work to give an international representation to women of African descen